we will destroy you...

Kyle Sturdivant

 

Kyle Sturdivant is a Catastrophic Theatre company member. Catastrophic Theatre: There is a Happiness That Morning IsThe United States of TamarieParadise Hotel, Bluefinger, The Tamarie Cooper Show (2008, 2009), Spirits to Enforce, Our Late Night. Infernal Bridegroom Productions: Tamalalia (4, 5, 7, 8, 9, 10), The Danube, In the Under Thunderloo, We Have Some Planes, Phaedra’s Love, Actual Air, Meatbar, Jerry’s World, Rhinoceros, Baal, Medea, Microscope Maintenance and Repair, Speeding Motorcycle, Hide Town, 20 Love Songs. Kyle has also worked in productions with Zachary Scott Theatre, Stages Repertory Theatre, Houston Shakespeare Festival, Children’s Theatre Festival, Brazosport Lazer Pantherz, Slump, Mystery Café, University of Houston School of Theatre, and Edward Albee workshops. Blog: www.michaelkyle.blogspot.com.

Last Updated: 
Feb 13 2012

Shows

 

DOOMSDAY REVUE

Tamarie Cooper et al

7/12/12 to 8/25/12
 
5/25/12 to 6/9/12
 

Endgame

Samuel Beckett

2/17/12 to 3/3/12
 
9/24/11 to 11/19/11
 

The United States of Tamarie

Conceived by Tamarie Cooper

Book by Patrick Reynolds

Music and Lyrics by Tamarie Cooper, John Duboise, Joe Folladori, DeWitt Gravink, Patrick Reynolds

7/15/11 to 8/20/11
 

Paradise Hotel

Richard Foreman

2/11/11 to 2/26/11
 

Bluefinger

Songs and concepts by Black Francis, created by Jason Nodler from an idea by Josh Frank

11/12/10 to 12/18/10
 

Hunter Gatherers

Peter Sinn Nachtrieb

6/25/10 to 7/17/10
 

Our Late Night

Wallace Shawn

3/19/10 to 4/3/10
 

Journey to the Center of My Brain in 3D

Conceived by Tamarie Cooper, Book by Patrick Reynolds

7/29/09 to 8/29/09
 

Spirits to Enforce

Mickle Maher

12/10/08 to 12/20/08
 

The Tamarie Cooper Show

written by Tamarie Cooper with DeWitt Gravink, Jennifer Mathieu, and Paul Locklear

6/19/08 to 7/19/08

Press

Sex, drugs, and rock ’n roll Dutch-style pretty much sums up the monumentally epic life and times of Herman Brood and Bluefinger, boldly and masterfully brought to the stage by visionary Jason Nodler, artistic director of The Catastrophic Theatre.

Bluefinger is so good that it could and should run for years, whether here or Off-Broadway or both.  It is better than American Idiot, which I reviewed on opening night, and could make a huge splash in a smaller New York venue.

Photos

Photographer: 
Friday, 13 April 2012
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