we will destroy you...

Troy Schulze

 

Troy Schulze is a Catastrophic company member.  Catastrophic Theatre: The Splasher, The Strangerer, Hunter Gatherers, Our Late Night, Bluefinger, There Is a Happiness That Morning Is. Horse Head Theatre: Red Light Winter, Essential Self Defense. As a company member with the now-defunct Infernal Bridegroom Productions, he received acclaim for his performances in dozens of plays including Night Just Before the Forests, Uncle Vanya, Rhinoceros, In the Under Thunderloo, Phaedra's Love, Mud, The Danube, Edmond, Harm's Way and Cowboy Mouth.  And he originated roles in IBP world premiere productions of Speeding Motorcycle, Hide Town, Meatbar, We Have Some Planes, Fucking A, Last Rites and King Ubu is King.  He was the winner of a reader's poll in the Houston Press, naming him Houston's best actor.  And the Houston Chronicle named him as one of Houston's "Ultimate People of 2005," citing his many contributions to theater in this city under the headline "Rebel with a cause." His first original show for Catastrophic Theatre, The Splasher, had its world premiere here at DiverseWorks in May 2008. It was awarded “Best Original Show” in the Houston Press’s 2008 “Best of Houston” issue. Roughly a year ago, he and Greg Dean co-directed Richard Foreman’s Paradise Hotel for Catastrophic. Big thanks to K.

Last Updated: 
Feb 14 2012

Shows

 
5/25/12 to 6/9/12
 

Endgame

Samuel Beckett

2/17/12 to 3/3/12
 
9/24/11 to 11/19/11
 

Paradise Hotel

Richard Foreman

2/11/11 to 2/26/11
 

Bluefinger

Songs and concepts by Black Francis, created by Jason Nodler from an idea by Josh Frank

11/12/10 to 12/18/10
 

Hunter Gatherers

Peter Sinn Nachtrieb

6/25/10 to 7/17/10
 

Our Late Night

Wallace Shawn

3/19/10 to 4/3/10
 

Hunter Gatherers (2009)

Peter Sinn Nachtrieb

4/1/09 to 4/11/09
 

The Strangerer

Mickle Maher

10/16/08 to 11/8/08
 

The Splasher

Troy Schulze

5/29/08 to 6/14/08

Press

Catastrophic’s production of the very funny and terribly unhappy “Endgame” is another masterpiece in the company’s ever-mounting stack of successes.

Nancy says: "'You're on earth, there's no cure for that,' Hamm says to to Clov. Beckett is back thanks to those wonky word geeks over at Catastrophic Theatre with their uber tight production of Endgame, starring Greg Dean as Hamm, Troy Schulze as Clov, Joel Orr as Nagg and Mikelle Johnson as Nell. Directed by Jason Nodler, Endgame's title says it all. If you love language, wordplay, divine banter and humor with a falling off a cliff edge, this is a play for you.

No one in Houston creates this multilayered, nonlinear type of theatre better than The Catastrophic Theatre.

I think it helps that Catastrophic’s Artistic Director Jason Nodler, who directs here, is a goddamn genius by every definition of the word.Only a genius can take the complexly simple Endgame and make it sing, dance, and soar to new heights, exploding into so many pieces simultaneously, satisfactorily, and splendidly that we marvel at its many magnificent manifestations.

Catastrophic Theatre’s stark, unflinching production of Samuel Beckett’s Endgame demonstrates exactly why this company and its artistic director Jason Nodler are so important to the city’s cultural life.

If man's wretched existence ever needed a finer hand to paint comic despair, look no further than director Jason Nodler with his quartet of superlative interpreters all in the service of the apocalyptic vision from Samuel Beckett.

Catastrophic Theatre's magnificent world-premiere production of Bluefinger: The Fall and Rise of Herman Brood, written and directed by Jason Nodler, and featuring a blistering performance by Matt Kelly in the title role, could easily be the next smash hit on Broadway. Bluefinger is a once-in-a-lifetime, invigorating magical mystery tour of rock's most quintessential wild man. Catastrophic Theatre has outdone itself.

Sex, drugs, and rock ’n roll Dutch-style pretty much sums up the monumentally epic life and times of Herman Brood and Bluefinger, boldly and masterfully brought to the stage by visionary Jason Nodler, artistic director of The Catastrophic Theatre.

Bluefinger is so good that it could and should run for years, whether here or Off-Broadway or both.  It is better than American Idiot, which I reviewed on opening night, and could make a huge splash in a smaller New York venue.

Photos

Photographer: 
Friday, 13 April 2012
Photographer: 
Wednesday, 15 February 2012
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