Houston actor Paul Locklear makes the role of George W. Bush uniquely his own with his hilarious yet strangely sympathetic portrayal in Catastrophic Theatre's The Strangerer...Locklear, who looks a bit like Bush to begin with, has mastered the president's trademark idiosyncrasies, mannerisms, delivery and verbal misadventures...One of the most memorable moments is Locklear's virtuosic delivery of a complicated speech in which Bush tries to describe his tortured thought-to-speech process — replete with strangulated what's-he-trying-to-say? pauses, which Locklear times masterfully
Catastrophic Theatre's dramatic presentation of Mickle Maher's phantasmagoric 2004 head-to-head between Bush and Kerry, moderated by Jim Lehrer, is a must-see...Locklear gives the performance of his life, nailing W. with his weird pauses and malaprops ("middle-evil" is especially fine for "medieval"). He glides through the difficult non sequitur monologues, giving Bush a comprehensible, maddening humanity. Just as spot-on are Judge and Schulze. Matter of fact, the entire production is incredibly realized. "Perfectness," as W. might say.
Maher's language is rich, deliciously thick, and peppered with the kind of Bushisms that the late Molly Ivins would cherish. W's meltdown veers toward the poetic at times. It's funny and horrific, brutal and absurd, mostly all at once...Sean Patrick Judge (Lehrer), Paul Locklear (Bush) and Troy Schulze (Kerry) deliver pointed, spot-on performances, demonstrating a mastery of mannerisms that never descends into full-out parody. Judge nails Lehrer's modulated tone, Locklear, W's good ol' boyness, and Schulze, Kerry's wooden gestures. The production, directed by Catastrophic Theatre's Artistic Director Jason Nodler, is the sharpest thus far from this newish troupe
Catastrophic Theatre has mounted a letter-perfect Houston premiere of Chicago playwright Mickle Maher's absurdist political satire...With the world growing more surreal by the moment, it's an achievement that The Strangerer makes the current political scene weirder than it is already. It's certainly a pivotal achievement of Catastrophic's fine rendition that Paul Locklear's uncannily apt Dubya emerges as funnier than the genuine article...Jason Nodler's astute, assertive direction crystallizes the play's moods, whether enigmatic, ruminative or sharply satiric. He and his three actors work the script's many levels without crossing into caricature...The Strangerer may be Theater of the Absurd — yet it's also the funniest and most acutely meaningful example of the genre I've encountered in ages.