Houston Press

There’s something about avant-garde playwright Richard Foreman’s work that actor/director/designer Greg Dean finds deeply moving and funny.

And thanks to a superlative production now onstage at Catastrophic Theatre, we not only get Beckett’s harmony in Happy Days, we get the whole damn symphony.

It’s the 30th anniversary of Catastrophic Theatre (if you include their previous incarnation as Infernal Bridegroom Productions) and what could be more appropriate than a Samuel Beckett existential play at the Houston theater known for its avant garde tradition.