Margaret Downing
Miss Laraj’s House of Dystopian Futures asks the audience to see nature as the driving force of everything.
There’s something about avant-garde playwright Richard Foreman’s work that actor/director/designer Greg Dean finds deeply moving and funny.
It’s the 30th anniversary of Catastrophic Theatre (if you include their previous incarnation as Infernal Bridegroom Productions) and what could be more appropriate than a Samuel Beckett existential play at the Houston theater known for its avant garde tradition.