There are no concise handles in our English language to describe creative people. Considering the range of creative expression and tools Houston artist Candice D’Meza explores and utilizes in her practice, including theater, filmmaking, critical pedagogy, rituals, and activism, those oft-overused words in arts writing, “multidisciplinary” and “interdisciplinary,” are accurate. From Fatherland, a solo, autobiographical
"I don't want to tell stories of oppression; there is no real path to freedom there. There's only telling someone else's narrative. And so, if I'm going to create a lane for myself and the people I love to exist, I have to look at the future. I have to find that thread to place them safely." -Candice D'Meza